String Theory | Not just a FABLE

I know I’ve posted this before, but with a few edits since the last time, it may be fun to read it again. To all my dressmaker, couturier, and tailoring friends out there, enjoy!

Once upon a time there was a very rich man and his wife spending some quality time together on their private south pacific island. Even with its remoteness it had every modern convenience. Solar collection panels for electricity, fresh running water, and even the most reliable Internet service. Everything you could possibly need was on the island. Beautiful gardens and house, dock, yacht, boat house, air landing strip, and several guest cottages dotted along its beach.

He arrived there following several extensive business trips, with his wife who had at the same time indulged in luxury retail therapy during their stops in Paris, Milan, London, and Tokyo. There was nothing that the couple could not buy. His wife had just procured several lengths of the most elaborately hand-embroidered French silk, the most luxurious Italian silk velvet, the finest English worsted wool, and the softest Kashmir wool. The very best that could be made, very expensive and each piece quite unique.

Because this man was also a very generous man, he regularly invited friends and relatives to his island, and he also invited complete strangers from time to time to share in his good fortune. This time he was interested in and invited three young, and very promising, fashion designers to the island as a reward for their contribution to one of the many charities he supported.

Each of the three individuals viewed this opportunity differently. One was very ambitious and viewed each day as potential for new business and so brought along his iPhone, laptop, latest look-book, and a few new design ideas to present, just in case. The other saw this as a good time to get on with a project or two without distractions, and so managed to pack a traveling sewing machine, sewing kit (thread, pins and scissors), some new patterns, but decided to try experimenting with locally made materials that may be available on the island. The third accepted this opportunity, as a time to retreat and to not worry about the future, only to fully absorb, and enjoy this once in a lifetime experience.

While visiting on this south pacific island, which was very tiny indeed as it turned out, it also became apparent to the guests just how remote it was from civilization. The owners of the island were kind and very hospitable and made the time to visit with their guests, making sure that each one was settled and quite comfortable.

On the first night they invited their three young guests to dinner at the big house. Nothing but the finest was offered; fish caught earlier that day, organically gown vegetables from the gardens, the most exotic fruit flown in from the nearest islands, and the finest wine available from around the globe chosen from their impressive collection in the wine cellar.

The conversation that evening moved spiritedly from each guest in turn to the next, revealing what each of their hopes and aspirations were for the future. The first was confident that they would become world famous, and that one day everyone would want to own one of their designs. Having good connections, hiring the most talented people, using the newest technology from around the world, and with the best marketing strategies, this would certainly be possible and highly profitable.

The second was hopeful, that with more experience and attracting venture capital (said with a wink directed toward the hosts) they would be able to manufacture their seasonal collections that would become highly popular and sell around the world. Many people will be employed in the process, solid supply chains will need to be set up, they’d make sure that only ethical methods were being supported at every stage, and if profit margins are substantial, it would be a successful career and quite satisfactory.

The third agreed that those goals are valid, but confessed to wanting to have the freedom to express their creativity every day, to being secure and content, and to make other people happy by offering something they really wanted and needed, would be very fulfilling. Supporting suppliers, artisans and specialized craftspeople does sustain jobs locally, as well as globally, by keeping these special skills alive and well. To feel that what they are doing is a positive step in the right direction, trying to be responsible in protecting our earth and its limited resources, appreciating and treating people with dignity by paying them a living wage, that is what I want and am working toward.

The others quietly sniggered at this revelation, and privately thought, “admirable, but how narrow, utterly impractical and unrealistic those goals are”. Curiously, the rich man’s wife became intrigued and asked more questions about how this path could be a viable career choice. After all, doesn’t one need rather high monetary returns to be able to live well and be happy? “For instance, we have everything one could possibly want or need. A very good income, good health, access to the best of everything, we can buy anything we desire. All this doesn’t come without a lot of hard work, money and sacrifice of course”. No could disagree on these points, and all continued to enjoy a pleasant evening of good food and wine, with lively conversation and exchange of ideas.

Later when asked by the three guests, the rich man’s wife was delighted to show them her exquisite fabric finds, knowing they would share in her excitement. As expected, all three were indeed thrilled. Also, as an almost automatic reaction, they offered to design for her something very special using these fabrics. “Oh, but, I wouldn’t just let anyone touch these precious fabrics, I could only trust someone with considerable knowledge and experience”. They asked whom she knew, that had such knowledge and experience. “Well regrettably, I don’t really know anyone to fit the description and I’m a quite hesitant about asking my friends for a referral – they do like to keep things like that a secret!”

The first young designer took that as a perfect opportunity to present her one of the most fashion-forward designs to date, and would start on it straight away. The second, began to research the latest trends and present the best for her choosing. Meanwhile, the third asked her questions about what she dreamed for herself, what her social obligations and requirements were for the coming year, and what type of things she loved to wear that made her feel happy. “Thank you for your offers, and it is all wonderful” she said, “but it still leaves the dilemma of who is capable to ‘make’ these amazing pieces for me without wasting or ruining the fabric?”

Not to worry, the first designer said, “I have some good people behind me who will quickly get it done right”. The second designer remarked, “I could do it myself, it won’t take long. I can usually run things up in a few hours, a couple of days at most!” The third’s reply was “I would love to make it for you, but it will take some time. I want to make sure everything fits you just right, and makes you look outstanding. Your fabrics will deserve the utmost care and attention, for the most part they will be hand-sewn”. The rich man’s wife considered all three offers.

Unfortunately, during their stay on the island, the sky became dark for three days and then a huge tropical storm followed causing much damage in its path. It knocked out the Internet service, the dock was smashed apart, and the air landing strip was littered with debris from broken tree branches. The generators and batteries were reserved for the barest of essentials such as pumping fresh water from their tanks, and supplying the kitchen with electricity. All lives were safe and secure, no one was harmed. Repairs on the island started immediately but would take some time.

The first designer conceded, “Well that pretty much finishes my plans, without the internet I can’t communicate with my team, my laptop battery is low and in need of recharging, and without the internet…”. The second designer lamented that without power the sewing machine was useless, and it was impossible without the right patterns. The third said, “No problem. Let’s get started”.

In wonderment, the rich man’s wife asked how this is possible without any equipment! “I have my hands, I never travel without my emergency sewing kit, and if you have a ball of string somewhere, that’s all I need.” And so, proceeded to take her measurements with the ball of string, sketched some ideas on paper for her approval, and drafted the patterns using old bed sheets that were soon headed for recycling. After assembling the mock-up designs, they were fitted exactly to her figure. Then used as the pattern to cut her prized fabrics.

During the days following, the rich man’s wife witnessed how the garments were being created piece by piece, all with the greatest care and attention to detail. Every pattern piece was skillfully cut, matched and hand sewn. The garments were fitted upon the rich man’s wife several times making sure they were comfortable and flattering to her figure. Then – one day the clothes were complete! “Oh my, I have never in my life seen so much care taken, such skilled craftsmanship, such beauty, but mostly I have not felt so incredibly comfortable in my clothes”, and she added, “and I feel so good about the way they make me look!” She noted, “I could see your joy as you worked, and now I understand why you love creating such wonderful things! How can I thank you enough for what you have done for me?”

The young couturier replied, “I must thank you, the opportunity you have given me has been priceless! If you are satisfied with the results, may I present you a detailed invoice of what you have received in exchange for my work.” The rich man’s wife read over the invoice very closely, while the couturier sat quietly trying to interpret her varying facial gestures.

Thinking that there may be objections to field, the couturier added that what she is paying for were the years of training and experience that were required to reach this level of expertise, the number of hours spent in carefully handling her fabric – that had also been hand crafted by others, and to put a fine point on it, she was the only person in the world who owned these pieces designed just for her.

“Goodness”, she said, “I’ve just come to realize what a treasure you are, and I certainly have no objection to the price!” She happily compensated the young couturier, and never again did she want what everyone else could buy! Would you?

Not the End -Just the Beginning

– by Jutta Holtkamp

 

 

Tips about Contracts and your [successful] Couture Business

As a business operator, and yes this includes artists, dressmakers, couturiers and tailors, we all use contracts, everyone should be aware of and know what a legally binding contract is.

Very few creative types like to talk about them, and like even less to think about them until something goes wrong. The purpose of designing your own contract for your business is not only to secure work and lay out the terms of getting paid, but also planning what would happen if [or when] something doesn’t go to plan.

So, exactly what is a contract? More specifically what are the elements of a legally binding contract. We kind of make and fulfill contracts everyday without realizing it, like agreeing to meet up with friends for lunch and you promise to pay for desserts ‘if’ you all go the restaurant of your choice this time. This is a contract if your friends mutually agree to it – by phone, email or text message. What?!

If one of your friends couldn’t make it to lunch, not really a problem for you, but likely hugely disappointing if no one turned up but you. But what if everyone turned up but you? I’m guessing hard feelings would be one major downside, but you also did break an agreement or rather you breached a contract. Your friends could take you to task over it (in court), especially if they could prove your offer, that you broke your promise and they were put out of pocket as a result! Say what?!

In all seriousness though, that probably wouldn’t happen, but it could be enforceable in a court of Law. [Very briefly, Contract law covers contracts, etc. as differentiated from Criminal Law: conduct perceived as threatening, harmful, or otherwise endangering to the property, health, safety, and moral welfare of people.  But a breach of contract could certainly overlap with breaking a criminal law]. I’m not a lawyer, so I don’t have all the details, but I do know this from my college business law class.

A legally binding contract has 3 crucial elements (plus 2 provisions).

1. An offer. You offer your couture service or offer your creation for sale [see point 5] personally, online, by email, however you put it out there.
2. Acceptance. Someone accepts your offer [see point 4], personally, online, by email, however they let you know.
3. Consideration. There is an exchange of something of value: cash, services, goods or specifically to withhold an exchange of cash, service, or goods.

Provisions:

4. You must be of legal age of consent, and/or of sound mind and body or fully competent to participate.
5. And the object must be legal. If what you are selling or buying is illegal, then the contract is not valid or void. The object is not misrepresented.

Both written and verbal agreements are legal. Verbal agreements are legal contracts even though they were not memorialized in a writing. Assuming the contract is valid, the verbal agreement between two parties is binding although it is very hard to prove if it were in dispute. Beware, even emails and text messaging can constitute a legally binding agreement!

The body of a contract also should include essentials like date(s), the names of the signatories, the details, and the ‘what ifs?’ What if something were to go sideways, or someone didn’t fulfill their end of the agreement, such as non-performance or interference with the other party’s performance. This then would become a ‘breach of contract’ or a broken contract.

It’s prudent to identify what happens if your client doesn’t turn up for an appointed fitting, or doesn’t have the money to pay you on time. Or what if your client is unhappy with your work during the process, how can you prevent that from becoming an unsolvable problem. If everyone knows in advance, what the possible problems and consequences are, commonly known to happen from time to time, then all parties do much better in preventing them from arising in the first place.

Informing all parties involved about what is expected of them and what they can expect from you prevents heartache and hardship. Try to avoid being overly wordy, but be clear. No one wants or expects things to go wrong doing business, but it occasionally happens. No one wants a surprise ending, everyone wants what they expected.

Every transaction can be a learning experience. You’ll soon figure out what works best for you, and especially what doesn’t. The path to success really does look like this:

Ecole Holt Couture ‘Dress Code’ fashion event

 

Ecole Holt Couture | This could be for you!

Our version of ‘string theory’, tells the story of how being successful in couture and tailoring doesn’t just rely on prevailing external factors, but rather on the resources you own and engage – such as your trained mind and your hands.

To explain why EHC’s teaching and mentoring method is focused on more than just skills training, and why we feel it’s important to share and promote our love and passion for couture and tailoring is another little story illustrating the difference between a fully trained professional sewer and one that truly has passion for the craft.

‘When asked by her daughter what she was working on, her mother replied, “Oh, well, I’m stitching these tailored buttonholes by hand”. Daughter, “Really, why by hand?” Mother, “Because, this is the ‘couture’ standard, and that’s what my clients expect”.

But, stated by a truly passionate couturier, the same question.

Daughter, “What are you working on, mom?” She replied, “I’m helping someone to feel very special! With all the hand stitched details, creating this suit just for her – which no one else in the world has – she will look amazing and everyone will remember her!” Daughter, “Wow, you mean just like for a celebrity or royalty?”

Mother, “Exactly, my dear!”

This difference is important, because this could be meant for you! Cheers! J

 

6 Tips for a great fit. Lesson #1.

Does a ‘great fit’ or ‘perfect fit’ leave you wondering what that really means in terms of your clothes? These days with most everything being ‘off the rack’ ‘ready to wear’ or ‘prêt-à-porter’ you may not be aware that your clothes don’t actually fit well at all. Even when special items are ‘custom made’ ‘made to measure’ or dressmaker made you could still be left wanting a great fit or perfect fit. So here are a few tips for things to watch out for. This isn’t a comprehensive list, but let’s start with these.

Example – Let’s assume that you don’t fit the typical fashion model profile or standard size. Actually most people don’t fit into a standard size perfectly, because sizes are determined by averaging a set of statistics by manufacturers.  (By the way, you are the perfect size and shape you were meant to be, so celebrate your curves! Go ahead and look the fabulous person you are.)

These 6 tips are for dresses, tops and skirts.

1. Enough fabric and ease across the bust line. No straining of fabric here.
2. Waistline is cinched in at the right level. Notice that the waistline of the dress doesn’t present any horizontal buckling of superfluous fabric or diagonal wrinkling in the front, side, or back.
3. Ease of fabric draping or flowing over the hip line, no stress or stretched out fabric here.
4. The hemline is horizontally even from the floor front and back, even in stilettos.
5. Sleeves are set in at the right directional angle. No two people’s arms hang the same way! Enough room at the sleeve cap, or top of the sleeve, no straining of fabric here either with ample room for freedom of movement.
6. Fit across the shoulders from sleeve to sleeve is wide enough, ending just at the shoulder joint.  The problem is usually too wide (too much material) or too narrow (not enough material).

Again, these 6 tips are true for any figure, and true for dresses, tops and skirts. Next time we’ll look at some other examples of well fitting points.  Cheers! J

 

Ecole Holt Couture 2017 Graduation

Graduation Ceremonies for 2017 is almost upon us, and we’ll be celebrating four more talented and now skills trained Artisans in the art of Couture sewing and Tailoring. They’ve put in many hours of work and effort in anticipation of doing something they love, with the knowledge – and some great experience behind them, that they can.

Accumulating experience during their Ecole Holt Couture training is only the beginning of a long career ahead. Not every action of creating was successful, but every action contained a valuable lesson, and no school projects were abandoned. These mistakes made in context are as valuable as the straight forward lessons. There is something to be learned and gained with every experience.

Crafting a career from what you are passionate about will take you on a journey that will undoubtedly have many twists and turns, but will never be boring. There is no cul-de-sac dead end, every day will hold something new to experience and learn. This is how Couturier and Founder of Ecole Holt Couture Elfriede Holtkamp, has built and sustained her career and craft for more than 60 years in an ever-changing economy, by being adaptable.

Building your business and career doesn’t happen overnight in any field of expertise. It takes some time to plan, years to build, but evolves continuously. The first step is having the courage and skills to just go ahead and do what you love. In your heart, you are driven to do it. You’ll likely need to take on a part-time position while you are starting out, to help you pay the daily bills. This approach is commendable and worthy of anyone’s respect, so don’t let that deter you from building your dream.

Let me share a little story to illustrate my point.  A pair of magpies arrived in our garden this spring and made the decision to nest in a Spruce tree a few feet from of our second storey kitchen window. My first reaction was, ‘OMG, please no!’ fearing the disruption and real inconvenience that these stately looking but nerdy birds, will cause in our as yet, peaceful proximity. We did try to dissuade them by occasionally tapping loudly on the window glass, without much luck. Then I thought, actually it would be very interesting to witness their progress, so close-up without interfering with them.

For three days they came with long twigs attempting to place them in well thought-out positions, each day without much success at all. They were obviously first time home builders. They interacted with each other conversationally the whole time, ‘what do you think about this way or that way?’ the other would take up the challenge by trying it another way. The fourth day they arrived with Y shaped twigs hanging each one over a branch, this was finally working! They had the foundation for their nest building.

Then they abandoned the site altogether. Why. There may have been many reasons. I’m sure it wasn’t because they didn’t have the drive or instinct, or only just a little bit of experience. Perhaps they took advice from the older more experienced members of their parliament and moved on to a more suitable site. I am sure though, that they did find a better site, because they didn’t suddenly become different birds, and they needed to find a way to raise their pending family and sustain themselves in a more suitable way for them.

Our own terms of success are entirely unique and shouldn’t be compared with other opinions of what ‘success’ means. This is my point. In the beginning, we do what we do because we’re drawn to it, we love it. We continue to do it because it feels right and it is personally satisfying. We overcome many barriers because we learn how to, perhaps by trying various different paths. We continue to do it for many years because we’ve found a way to practice our passion by successfully sustaining ourselves along the way.

Just as I’m now disappointed that we won’t witness the progress of our magpie friends, I know they’ll be OK.  We will miss our four students when they’ve fledged, but we wish these graduates much success and the very best. Just a reminder to them, we are always here to offer professional advice and mentoring  support if needed. Cheers! J

PS. There are many ways to practice your creative maker business. We believe that being environmentally responsible, ethical, authentic, and by passing on these specialized professional skills with thorough training has sustained, and will continue to sustain Couturiers and Tailoring for generations.

 

Ecole Holt Couture Fashion Event 2016 Video

Published on Dec 30, 2016

Ecole Holt Couture students feature their current project work on the runway each year. This year, the event opened with an exhibit in Festival Hall foyer, curated by Ian Rogan with the assistance of Cassandra Cummings, featuring the students and their work in progress up-close interacting with the guests before the runway show. Alumni members also showcased their masterpieces on display on the auditorium stage.
This year EHC also partnered with InspireProjectYYC, raising awareness and funds for children’s charities – supporting children victimized by abuse and neglect. Mini Heroes, a coffee table photographic portrait collection of children re-imagined as influential heroes, a creative project by InspireProjectYYC were sold in the exhibit hall. All the proceeds of the event were donated to InspireProjectYYC not-for-profit foundation.
The young Mini Heroes were the first to walk out on the runway, followed by EHC students modeling their own creations, and this year’s Vintage collection by Elfriede Holtkamp, Master couturier/tailor and Founder of Ecole Holt Couture.
The theme ‘Step by Step’ reflected the methods and steps EHC applies in sharing information and training students to become professional couturiers and tailors.
Live music by Los Morenos
Video by Joe Kelly

cheers, J

 

Couture | Fashion & Philanthropy

It’s important to give back to the community and Ecole Holt Couture is fortunate to do this while sharing the art of couture and the work of our students in support of InspireProjectYYC.

This is the first year the event will benefit new-kid-on-the-block INSPIRE Project YYC. Started in 2012, by a group of Calgarian creatives, passionate about social justice, the Project funds organizations seeking to affect change in difficult areas. Their first recipient? Dare to Care, whose mission is to address the pervasive and crippling issue of bullying.

Step by Step  will focus on explaining what couture really is, how it is achieved, and why it matters and more importantly how it can change your outlook towards your fashion style!

Join us on November 13th, 2016 at Festival Hall in Calgary’s Inglewood community, hub of live music venues and is known as the one-stop shop for art fans, culture buffs, foodies, fashionistas, scrappy hippies, and hipsters.

 

Ecole Holt Couture 2016 Fashion Event on November 13th!

This event is Ecole Holt Couture’s annual fashion event featuring student creations, the Founder’s vintage collection and our charitable community partner. All tickets proceeds from ticket sales are donated to Inspire Project YYC.

Event tickets are open to the public and now on sale – just follow the link to get yours now! EHC Fashion Event

New for this year is the pre-show exhibit where you can see what we do at the school and meet our current students, a great chance to get insider information!

more soon… cheers! J

 

Ecole Holt Couture is taking summer break, but gearing up for the Fall already!

Hi there! Ecole Holt Couture is on summer break, but not all of us are on vacation just yet! The classes are over for now but the students still have a couple or three weeks to finish up their projects. And even though we are winding down from the year, we are gearing up for our next fashion event in November.

We start planning the next fashion event just after the last one is over and finished. We’ve booked the venue and we’ve got the date – Sunday November 13th, 2016 at Festival Hall Calgary. There is a lot of planning to do though from that point on, most of which doesn’t go into high gear until August. Right now we are sitting down with the people who are our best supporters and getting their input into the plan.

We maintain our event website throughout the year now at http://www.ehcfashionshow.myevent.com/. There we post things like pics from the last show and a few photo albums from past shows so that our visitors can get an idea of what its all about. It gets updated every now and then with the latest information, so if you’ve stopped in at our event site before feel free to drop-in now and again to see what’s new.

Have a look at the video that Tessa and her dad Terry created from our 2015 Ecole Holt Couture Fashion Event. We’re pretty pleased with the result. Cheers! J

 

 

Ecole Holt Couture Information Seminar

Ecole Holt Couture will be hosting its Information Seminar for those interested in enrolling, on
Thursday April 14th from 7 to 9 pm.
You must register for this free information seminar by email: info@ecoleholtcouture.com
*Registration deadline date for the seminar closes Monday April 11th.
[due to limited spaces available EHC reserves the right to reschedule or schedule and additional Information Seminar date]

General admissions information:
First, to make your application for enrollment, contact EHC by phone or by email requesting a Prospectus.
Then, because École Holt Couture School of Couture Sewing and Design’s curriculum is truly unique, we schedule an information seminar at the school to help you decide whether Ecole Holt Couture School of Couture Sewing and Design is the right fit for you.
The information seminar is presented to further explain EHC’s mission and goals, curriculum and instructional methods, and to answer your specific questions so you can make an informed decision about your education opportunities. (more scroll down)

In summary – what you need to know before you start.

Admission Requirements
Standard Admission:
• High School Diploma or Equivalent (GED, diploma from another province)
• Parental/legal guardian signed consent if under the age of 18
• Demonstrate an aptitude for sewing or fashion, passionate commitment to couture fashion
• Successful completion of interview with EHC

Mature Students:
• Must be out of school for at least 2 years
• Minimum of 19 years of age
• Must complete and submit a high school equivalency exam result (GED or CAST) to EHC
• Demonstrate an aptitude for sewing or fashion, passionate commitment to couture fashion
• Successful completion of interview with EHC

In addition – ESL Students:
• Fulfill the above with the addition of submitting successful result of standardized ESL test ( eg . TOEFL) to EHC

About the School Year – what to expect

Each school Year begins in early September and ends the following June. The year consists of 3 Terms which each run 10 consecutive weeks, including a break between each term. Classes are held twice weekly for 10 hours, or 5 hours per class, including a short lunch break. The remaining 3 days are required for lab (or homework) mandatory studies which takes up 30 or more hours per week. You must expect to dedicate 40 hours per week for classes and homework during the year to successfully complete each program.

Very important: Students must have free access to a dedicated work space or studio in which to do homework projects and assignments. Ideally a separate room, with good natural, ambient and task lighting, preferably self-contained and protected from through traffic and everyday disturbances. (What we are saying is, using a kitchen space is not acceptable). Your studio space could be accommodated within your bedroom area – if no other suitable space is available.

How to go about making an application
1. Request a Prospectus by telephone or email.
2. After you receive a Prospectus, review all the information carefully.
3. Return your signed and completed application forms, by the stated deadline. Only completed applications are reviewed by the school’s selection committee.

Letters of acceptance (plus required tools/materials list), or letters of regret, or waiting list letters, are forwarded to you within 6 weeks of your application being received by EHC’s registrar.
*Email info@ecoleholtcouture.com for current application deadlines.

How much does it cost for each Program

Certificate Full Tuition $23,700
Registration Fee $500 – This fee is later deducted from tuition fees
Books $250 – Students are given a resource list and are free to purchase their own copies
Equipment $2000 – Most of this initial equipment cost is good for both programs and should last you for many years thereafter.
*Materials $3000 – Students are given a resource list to search out and purchase their own required materials as they become necessary for projects.

Diploma Full Tuition $27,300
Registration Fee $500 – same as above
Books $500 – same as above
Equipment $2400 – This advanced equipment in addition to the Certificate program equipment, is useful not only for school use, but for use after graduation for many years to come.
*Materials $5000 – same as above

*Materials costs vary widely and are subject to market fluctuations.
A financing schedule for Tuition fees may be available for Registered students.

What do I do with all my projects at the end of the program?

Each year in November EHC presents a fashion show, open to the public, to feature the couture garments students have created. Graduates of the Diploma Program will have developed outstanding wardrobe items consisting of approximately 30 – 40 full scale, plus 10 – 20 half scale couture garments, and accessories valuing more than the total investment in tuition fees and materials combined.

Each project garment increases in complexity of style and design, and reflects, of course, the student’s increasing level of skill and competency. All garments created during the program are designed to be completely wearable and reflect a tangible portfolio, which exhibits the skills and experience graduates will have acquired during their time at Ecole Holt Couture.

[Please note that at this time Ecole Holt Couture is not able to accept international students.]