Indicators for success at Ecole Holt Couture

It is important to know beforehand if the career you’ve chosen to invest the time and money in is the best one for you. This short video may help you to decide whether a career in Couture, Tailoring or Dressmaking is appealing to you and whether Ecole Holt Couture is the right school for you.

Ecole Holt Couture School of Couture Sewing and Design is specifically aimed toward people who are dedicated and passionate about 1) sewing, 2) love the notion of working solo, or at least in your own space, 3) are concerned about the sustainability of fashion in our natural environment and how to do our part to protect our environment, 4) want to earn a sustainable living, and see a need in your local economy, 5) are not drawn to running as part of the pack, but thrives on standing out, and have the courage to swim upstream, 6) consider yourself an artist or artisan, 7) looking to develop a fulfilling, life long career – one in which you can always learn something new. This is not a dead end job. And finally, 8) you love working with your hands, your mind and your soul.

https://youtu.be/1Jx6ItLynJs

 

Did you Know? at Ecole Holt Couture…

• 

Graduates at EHC receive their final awards for attending and completing 600 hours of instruction and 1800 [2400hrs] hours of practical [projects] lab-work for each of the Dressmaking and Couturier/Tailoring awards.

EHC awards are printed with the graduate’s name, two official signatures, an EHC embossed seal, the date of issue, and possesses a unique serial number registered with the school. You can check the authenticity of our awards if you see one, and want to make sure it is real!

The award costs $40 for paper and graphic work, but is worth more than $60,000 and its value is truly priceless for the recipient. Most importantly, the recipient has the skills to work as a professional dressmaker, couturier and tailor!

The knowledge and curriculum are not copied or borrowed from any other institution, and is original to EHC. We have retained all of the original hard copies of work notes, sketches, and documentation, by the Founder from its inception, and development, to now, and and all of it is copyright protected.

We still create original patterns drafted by hand using 60+ measurements taken from each individual client.

That it took 16 years to develop the innovative curriculum based on the Founder’s 60 years of professional experience in couture and tailoring. It all added up to a life time achievement award and recognition by the Universal Womens Network in 2019 for Elfriede Holtkamp [who now is retired but is still available for sage advice].

These skills are as much an Art as a Craft, and impossible to exactly duplicate the work from one artisan to another. Experienced crafts-person or artisan’s work is unique and cannot be convincingly reproduced, which is awesome!

We continue to be committed to preserving authentic couture sewing and tailoring skills by sharing, teaching, and mentoring. And we really do connect with and love our students!

New* – EHC is developing online instruction to reach further reaching geographic locations, for those who it is impossible to attend in person. We are continuing on-campus workshops and masterclasses launching in the fall of 2021. Who knows, we may even do traveling workshops in the future!

Please subscribe to EHC’s Youtube channel, Facebook page, and follow our WordPress blog for up-to-date information:

https://www.youtube.com/user/ecoleholtcouture

https://ecoleholtcouture.wordpress.com/

https://www.facebook.com/ecoleholtcouture

And follow us at www.ecoleholtcouture.com

• 

 

EHC – 8 part Project Video Series – Inside the Studio

As we are making preparations to resume on-campus classes the beginning of September 2020, we wonder how it will all work out in the midst of physical distancing precautions, extra sanitising, and how to minimise time wearing a mandatory face mask during this Pandemic. We admit we don’t have it all figured out, and in one month, circumstances could yet again change, but all of us will be doing our best to make sure everyone is safe and has the best experience possible.

Normally during summer breaks we take advantage of our empty studio to host workshops, and take on a few projects that we otherwise would not have time or available space for. This summer one such project came in that we could accommodate was a prêt-a-porter wedding gown alteration. We usually do not take on alteration projects unless they are particularly complex or noteworthy for our students.

Our client granted us permission to share these videos with you > sewing practitioners, ensuing couturiers and tailors, and future brides. Some insight to what a professional alteration outcome should be, and look like, may help shape your expectations or gain some freedom of choice as to whether to consider ‘alterations’ as a sewing career option/add on. And for the bride-to-be, whether to go for couture made or buy a ready-made wedding gown realising that some altering may be a highly-likely extra cost.

The question often arises: why do alterations cost what they do when they appear to be very straight forward nip-and-tuck changes?  This video series attempts to clarify why experienced dressmaking skills are required to do alterations of some complexity, and why the amount of time is necessary to accomplish the adjustments.

This project is divided into 8 separate video segments according to the various tasks following the initial fitting, to the final fitting, and delivery. They are titled and numbered 1/8 to 8/8 to make it easy for you to refer back to if you happen to have interest in one segment over the other. Together it is about 1 hour and 20 minutes in length, and we recommend that it first be viewed in its entirety putting everything in sequential context.

We hope you find the series informative, useful, and enjoyable and thank you for taking the time to visit with us inside the studio!  

Part 1 – https://www.youtube.com/watch?v=Uzem3dlrVEU

Part 2 – https://www.youtube.com/watch?v=bmuFixUop9A

Part 3 – https://www.youtube.com/watch?v=gsuRxaGY4DQ

Part 4 – https://www.youtube.com/watch?v=-8BpyCwjp-Q

Part 5 – https://www.youtube.com/watch?v=mYpJ3q7-O60

Part 6 – https://www.youtube.com/watch?v=K-sZQCkPhs0

Part 7 – https://www.youtube.com/watch?v=T4WoAIm2jLI

Part 8 – https://www.youtube.com/watch?v=vDkYOkohtZU

Cheers! J

 

Ecole Holt Couture COVID-19

COVID-19 has certainly changed how we presented our final term for year one of the Certificate and Diploma program. Interactive online classes replaced on-campus classes for 10 weeks. We necessarily compressed two terms of theory into one term online instruction, deferring all practical instruction for the same two terms until the fall when we plan to resume on-campus classes. This process was a huge learning curve for all of us – and not without its losses, but certainly not without space for creating new opportunities for online instruction in the future.

The experience has shunted us towards a clearer vision of the future for Ecole Holt Couture. The notion of migrating a selection of instruction modules to an online version has been in the planning for over a year. But now we have real time practical experience to create an educational experience that can potentially reach a further reaching audience. Although, still in the early stages of development, we do have a grasp on what works and what does not work in our specialisation, for an online format.

Thanks to my assistant and our current students who have stayed the course with us through this difficult time, even though only temporary, we were able to discover the strengths and weaknesses of online learning firsthand. We are much enlightened with the experience.

COVID-19 and the mandatory isolation regulations imposed on us all, has changed our world. Along with everything else that has impacted us, even a little bit, in the last 12 months, it seems there is not a week that goes by without news of another natural disaster or global movement affecting everything we thought we knew to be normal. It also feels like now is the time to be taking a firmer stand on issues that affect how humanity is being treated, as well as how we ought to be treating our unique planet earth.

At Ecole Holt Couture, we took a stand on using natural fibres in regard to minimising long-term negative effects on the environment, years ago. Natural fibres are by a long shot, the best in comfort and function to be wearing next to your skin, have the most long-lasting desirable characteristics, and the longest useful lifetime, and the safest decomposition properties, than any synthetic fibres to date. Yes, synthetics have their place in fashion and in utility, but should be used minimally and only for their ideal or optimum purpose.

We also believe that every human being, as well as all other beings in our natural world, has a valuable valid place and room for potential on our precious planet earth and should be treated with respect, understanding and with genuine kindness.

The problem is with our collective definition of value. The most contentious issue in society seems to be how we decide upon and prescribe value, and what characteristics we deem to be of value, which has changed and continues to change over time.

What we in truth value is tangibly reflected in how we live and treat other human beings, treat all creatures, and treat our natural environment. Why is our Earth continually mistreated and then also regarded as an unlimited provider of resources? What makes one human being more valuable than another? Who decides which skill is more important than another? What makes one creature’s existence worth more than another’s? Well, one thing that has been proven is in recent months, is that people on the ground keeping all essential services going are now invaluable where before they were disregarded as being insignificant.  

We still, however, face severe injustices of poverty & violence, and persistent resistance to human rights equality for women, indigenous peoples, LGBTQ communities, people of colour, and immigrants even after all the protests and riots around the world bringing it to everyone’s attention. We still face climate crises around the globe.

How then can we as individuals improve and change these unjust situations? It begins with each of us doing our part. Without that grounding no organisation, corporate or charitable, nor any level of government, is able gain any forward momentum for positive and equitable change.

… my condensed list of 2019/2020 events, disasters, catastrophes – the aftermath of what we are dealing with:

• Major flooding, land slides, and melting of polar ice-cap disasters
• SA Amazon rain-forest fires, and Australian bush-fire catastrophes
• Global climate change denial and climate action demonstrations
• Mass migration, and immigration conflicts,
• #MMIWG movement, #MeToo movement, #BlackLivesMatter movement
• Truth and Reconciliation reparation stalls for Indigenous peoples in Canada
• Indigenous land-rights disputes and demonstrations,  
• Acts of violence, mass shooting tragedies, and police brutality
• Human rights demonstrations
• Brexit and Megxit  fallout,
• USA impeachment hearings and trial,
• Rise of populism, return of fascism,
• Major retailer bankruptcies, foreign trade-relation wars
• Global deficiencies from COVID-19 Pandemic
• And with 7 months of 2020 left to go…

I hope things will improve, and am doing what I can. I know you will too…

Cheers, J

 

Ecole Holt Couture | This could be for you!

Our version of ‘string theory’, tells the story of how being successful in couture and tailoring doesn’t just rely on prevailing external factors, but rather on the resources you own and engage – such as your trained mind and your hands.

To explain why EHC’s teaching and mentoring method is focused on more than just skills training, and why we feel it’s important to share and promote our love and passion for couture and tailoring is another little story illustrating the difference between a fully trained professional sewer and one that truly has passion for the craft.

‘When asked by her daughter what she was working on, her mother replied, “Oh, well, I’m stitching these tailored buttonholes by hand”. Daughter, “Really, why by hand?” Mother, “Because, this is the ‘couture’ standard, and that’s what my clients expect”.

But, stated by a truly passionate couturier, the same question.

Daughter, “What are you working on, mom?” She replied, “I’m helping someone to feel very special! With all the hand stitched details, creating this suit just for her – which no one else in the world has – she will look amazing and everyone will remember her!” Daughter, “Wow, you mean just like for a celebrity or royalty?”

Mother, “Exactly, my dear!”

This difference is important, because this could be meant for you! Cheers! J

 

Lesson #2 – Petite is Powerful – tips for a great fit.

If you are like me, considered a petite size, then your proportions are slightly shorter from the shoulders to the waist than a standard size, and you all know what I think about ‘standard’ sizes. But being ‘petite’ may also reflect that you may perhaps be relatively shorter in stature than most of your contemporaries in North America. Not at all if you are in most parts of Asia and in some parts of Europe.

Wearing off-the-rack and ready-made garments always seem to appear slightly ‘off’ because, petite manufactured garments are mostly only adjusted for the above mentioned variance, or worse – adjusted for shorter arm and leg length as well which may not apply at all to you (or to me). These adjusted variances may greatly reduce the choice in ready-made or off-the-rack for you to look amazing.

If you want to look your perfect-size ‘perfect’, then every component needs to be made in proportion to the whole. That doesn’t mean a petite cannot wear a large pattern print, or conversely that being tall you cannot wear small prints. Only that the proportions must be adjusted accordingly as is true to haute couture and bespoke tailoring.

In this example, notice that in her riding jacket all the components – lapel size and stance, buttoning, pockets, sleeve length (and armhole circumference), waist cinch, and jacket length are all relative to proportion. The trousers again are the right length and leg width. Any one of these elements out of proportion will throw the whole look ‘off’.

A petite can look positively overwhelmed or underwhelmed because of the lack of choice. Remember that in garment manufacturing, realistically it can only serve a small section of the market offering a limited range of ‘sizes’ to be profitable. That pretty much excludes the other 90% of the population. It is not you, you are a perfect size.

Cheers! J

 

 

 

 

 

Ecole Holt Couture Information Seminar

Ecole Holt Couture will be hosting its Information Seminar for those interested in enrolling, on
Thursday April 14th from 7 to 9 pm.
You must register for this free information seminar by email: info@ecoleholtcouture.com
*Registration deadline date for the seminar closes Monday April 11th.
[due to limited spaces available EHC reserves the right to reschedule or schedule and additional Information Seminar date]

General admissions information:
First, to make your application for enrollment, contact EHC by phone or by email requesting a Prospectus.
Then, because École Holt Couture School of Couture Sewing and Design’s curriculum is truly unique, we schedule an information seminar at the school to help you decide whether Ecole Holt Couture School of Couture Sewing and Design is the right fit for you.
The information seminar is presented to further explain EHC’s mission and goals, curriculum and instructional methods, and to answer your specific questions so you can make an informed decision about your education opportunities. (more scroll down)

In summary – what you need to know before you start.

Admission Requirements
Standard Admission:
• High School Diploma or Equivalent (GED, diploma from another province)
• Parental/legal guardian signed consent if under the age of 18
• Demonstrate an aptitude for sewing or fashion, passionate commitment to couture fashion
• Successful completion of interview with EHC

Mature Students:
• Must be out of school for at least 2 years
• Minimum of 19 years of age
• Must complete and submit a high school equivalency exam result (GED or CAST) to EHC
• Demonstrate an aptitude for sewing or fashion, passionate commitment to couture fashion
• Successful completion of interview with EHC

In addition – ESL Students:
• Fulfill the above with the addition of submitting successful result of standardized ESL test ( eg . TOEFL) to EHC

About the School Year – what to expect

Each school Year begins in early September and ends the following June. The year consists of 3 Terms which each run 10 consecutive weeks, including a break between each term. Classes are held twice weekly for 10 hours, or 5 hours per class, including a short lunch break. The remaining 3 days are required for lab (or homework) mandatory studies which takes up 30 or more hours per week. You must expect to dedicate 40 hours per week for classes and homework during the year to successfully complete each program.

Very important: Students must have free access to a dedicated work space or studio in which to do homework projects and assignments. Ideally a separate room, with good natural, ambient and task lighting, preferably self-contained and protected from through traffic and everyday disturbances. (What we are saying is, using a kitchen space is not acceptable). Your studio space could be accommodated within your bedroom area – if no other suitable space is available.

How to go about making an application
1. Request a Prospectus by telephone or email.
2. After you receive a Prospectus, review all the information carefully.
3. Return your signed and completed application forms, by the stated deadline. Only completed applications are reviewed by the school’s selection committee.

Letters of acceptance (plus required tools/materials list), or letters of regret, or waiting list letters, are forwarded to you within 6 weeks of your application being received by EHC’s registrar.
*Email info@ecoleholtcouture.com for current application deadlines.

How much does it cost for each Program

Certificate Full Tuition $23,700
Registration Fee $500 – This fee is later deducted from tuition fees
Books $250 – Students are given a resource list and are free to purchase their own copies
Equipment $2000 – Most of this initial equipment cost is good for both programs and should last you for many years thereafter.
*Materials $3000 – Students are given a resource list to search out and purchase their own required materials as they become necessary for projects.

Diploma Full Tuition $27,300
Registration Fee $500 – same as above
Books $500 – same as above
Equipment $2400 – This advanced equipment in addition to the Certificate program equipment, is useful not only for school use, but for use after graduation for many years to come.
*Materials $5000 – same as above

*Materials costs vary widely and are subject to market fluctuations.
A financing schedule for Tuition fees may be available for Registered students.

What do I do with all my projects at the end of the program?

Each year in November EHC presents a fashion show, open to the public, to feature the couture garments students have created. Graduates of the Diploma Program will have developed outstanding wardrobe items consisting of approximately 30 – 40 full scale, plus 10 – 20 half scale couture garments, and accessories valuing more than the total investment in tuition fees and materials combined.

Each project garment increases in complexity of style and design, and reflects, of course, the student’s increasing level of skill and competency. All garments created during the program are designed to be completely wearable and reflect a tangible portfolio, which exhibits the skills and experience graduates will have acquired during their time at Ecole Holt Couture.

[Please note that at this time Ecole Holt Couture is not able to accept international students.]

 

Happy New Year 2016!

We posted this one year ago, but still a good story to illustrate a point about the value of couture sewing skills…Happy 2016! I’ll leave this one with you as well: Without Craft, inspiration is a mere weed in the wind.

Once upon a time there was a very rich man and his wife spending some quality time together on their private south pacific island. Even with its remoteness it had every modern convenience. Solar panels for electricity, running water, and even 4G Internet access. Everything you could possibly need was there. A beautiful house, airstrip, dock, boat house, deep-sea fishing boat, and several guest cottages on its beaches.

He arrived following several strenuous business trips with his wife, who had completed a major shopping spree from Paris, Milan, London, to Tokyo. There was nothing that the couple could not buy. His wife had just procured lengths of the most elaborately hand-embroidered French silk, the softest Kashmir wool, the most luxurious Italian silk velvet, and the finest English worsted. The best that could be made, very expensive and all quite unique.

Because this man was also very generous he regularly invited friends and relatives to his island, but he also invited strangers from time to time to share in his good fortune. This time he invited three young, and very promising, fashion designers to the island as a reward for their contribution to one of the many charities he supported.

Each of the three individuals saw this opportunity differently. One was very ambitious and viewed each day as potential for new business and so brought an iPhone, laptop, latest look-book, and a few new design ideas to present, just in case. The other viewed this as a good time to get on with a project or two without distractions, and so managed to pack a compact sewing machine, sewing kit (thread, pins and scissors), and some new patterns but decided to investigate locally made materials on the island to experiment with. The third accepted this, as a time to relax and not worry about anything. To absorb, and enjoy this once in a lifetime experience.

While on the island, which was very tiny indeed, it became apparent just how remote it was from civilization. The owners of the island were very hospitable and made time to visit with each of their guests, making sure that everyone was quite comfortable. One night they invited the three young people to dinner at the big house. Nothing but the finest was offered, the freshest fish caught just hours earlier, the best quality vegetables and most exotic fruit flown in from the nearest islands, and the finest wines.

The conversation turned to each guest to find out what their hopes and aspirations were for the future. One was confident that someday they would become world famous, so that everyone would want to own one of their designs. The other was hopeful, that with experience and some help, they would be able to manufacture highly popular collections selling around the world. The third confessed to wanting to be creative every day, to being content, and wanting to make other people happy. The others all sniggered at the third’s response, and privately thought how impractical and unrealistic that would be.

Curiously, the rich man’s wife asked more questions about why this would be a considered career choice. After all, doesn’t one need a lot of money to be able to have everything one’s heart desires? “For instance, we have everything one could possibly want, a good income, good health, and access to the best of everything. This doesn’t come without hard work and sacrifice of course”. All had to agree, and continued to enjoy a pleasant evening of good food, conversation and exchange of ideas.

Later, the rich man’s wife was delighted to show the three young people her exquisite fabric finds, knowing they would share in her excitement. As expected, all three were indeed thrilled. Also, as an almost instant reaction, they offered to design something for her using these fabrics. “Oh, but, I couldn’t just let anyone touch these precious fabrics, only someone with considerable experience”. They asked who she knew, that had such experience. “Well, I don’t really. I’m a bit hesitant about asking anyone!”

The first young designer offered to create the most fashion-forward designs, and would start on it straight away. The second, began to research the latest trends to present. Meanwhile, the third asked questions about what the rich man’s wife dreamed for herself, what were her requirements for the coming year, and what type of things she loves to wear. “This is all wonderful, but it still leaves the dilemma of who will make these amazing designs for me?”

Not to worry the first designer said, “I have some really good people behind me who will get it done right”, the second designer remarked, “I will make it myself, it won’t take long. I can usually run things up in a few hours, a couple of days at most!” The third’s reply was “I would love to make it for you, it will take some time. I want to make sure everything fits just right, and makes you look marvelous. Your fabrics will deserve the utmost attention, for the most part they will be hand-sewn”.

That night a tropical storm knocked out the 4G Internet access, the docks were damaged, and the airstrip was littered with debris from broken branches. Fuel supplies were so low that the generators couldn’t be run for more than just the bare essentials – such as pumping fresh water. Repairs would take some time.

The first designer conceded, “Well that pretty much finishes my plans, without the internet I can’t communicate with my team, my laptop battery is low and in need of recharging, but I can’t do it without electricity”. The second designer complained that without power the sewing machine was useless, and it was too late to order patterns on-line. The third said, “No problem. Let’s get started”.

In wonderment, the rich man’s wife asked how this is possible without any equipment! “I have my hands, I never travel without my emergency sewing kit, and if you have a ball of string somewhere, that’s all I need.” And so proceeded to take her measurements with the ball of string, sketched some ideas on paper for her approval, and drafted the patterns on old bed sheets. After assembling the mock-up designs, they were fitted exactly to her figure. Then used as the pattern to cut her prized fabrics.

During the following days, the rich man’s wife witnessed how the garments were being created piece by piece, all with the greatest care and attention to detail. Every pattern was skillfully matched at each seam. The garments were fitted a few times making sure they were comfortable and flattering to her figure. Then – one day the clothes were complete! “Oh my, I have never in my life seen such craftsmanship, such beauty, but mostly I have not felt so comfortable in my clothes, and felt so good about the way they make me look! I could see your joy while you worked, and why you love creating such wonderful things! How can I thank you enough for what you have done for me?” The young Couturier replied, “The opportunity you’ve given me has been priceless! Here is a detailed invoice of what you have received in exchange for my expertise.” The rich man’s wife never again wanted what everyone else could buy! Do you?

(Not The End) Just The Beginning – Cheers J

Ecole Holt Couture 2015 Fashion Event opening welcome

 

Questions, questions and more questions at Ecole Holt Couture!

After being on a blog hiatus for a bit, we thought that we would start our blog back up in September 2015 with what we do with student’s questions, and we encourage our students at École Holt Couture – School of Couture Fashion Sewing and Design to ask lots and lots of questions. After all, we are here to share what we know about our area of expertise.

Some questions require multi-dimensional answers. In other words, the answer depends on the specific situation “if this, then do this”, when all that is wanted is a simple directive to “how do I do this?”.

So, the strategy goes like this. At the very beginning, we say “it doesn’t matter why, just do it this way”, which later progresses to “do it this way, but in certain situations do it the other way”.

In advanced classes, we give several answers to a single question, but each answer is quite relevant. Later still, the students are encouraged to come up with their own thought-out solutions and to bounce them off the wall with us.

Finally, the goal is that students work through their questions and problems based on relevant research plus what they already know in some form, and can defend their solution paths. It is at this point when we can breathe out a happy sigh and know that we’ve done our job reasonably well.

There are better ways and not-so-successful ways of doing things to achieve a result. Nothing is written in stone, and it is universally accepted, or least it should be, that no one should have to reinvent the wheel to be a highly skilled creative type, and yet still considered to be ‘original’ in their art form.

No single person knows everything there is to know about any single thing. So we continue to learn throughout our careers and lives, and we learn from the experience of others before us. It saves a tremendous amount of learning time, unless we are stubbornly determined to engineer a new pattern for the wheel.

We also encourage you to never stop asking the tough questions. Never be satisfied with a simple answer, but don’t over complicate things just because you can. The best solutions are sometimes very simple and sometimes very complicated. Sometimes they require a team to figure it out, sometimes they just require an unexpected ‘Ah-ha’ moment. Sometimes they need in-depth explanation and sometimes they just need an act of faith.

Diploma

Certificate

First-Ever Day in Class this is what you learn…. cheers! J

 

Tuesday March 31st, 2015 – Back to class

We’ve just left two weeks of Spring break behind us. Well, it wasn’t so much a break as quiet work-time to catch up for most of us here, and part one of the final Certificate exam is being written today. The programs are pretty intense, and if you do get behind even for one or two days, the work piles up incredibly quickly. Students all work very long hours for the duration of the programs, and as an administrator as well as instructor, my job doesn’t end at the close of class either. It usually runs late into the evenings and into weekends replying to emails and keeping up with necessary paperwork. It didn’t get any easier when Ecole Holt Couture became a designated Private Vocational Training institution licensed by the Alberta government of Advanced Innovation and Education department.

We often get questions about EHC’s programs and the equivalency of its certificate awards to other degrees. So here it goes.

Both Ecole Holt Couture programs are recognized by the Advanced Innovation and Advanced Education government department of Alberta, Canada.

EHC’s Dressmaking Certificate program is designed for self directed employment as well as the prerequisite program to enter the EHC Couturier/Tailoring Diploma program. The Diploma program is designed for self directed employment or free lance work, as well as entry level positions for apprenticeships. As such, there is no equivalent to our Certificate and Diploma programs. The entire curriculum is unique and original, written by the Founder, based on her education and 60 plus years of professional experience in the trade of couture and tailoring in Europe and Canada.

The reason that Ecole Holt Couture was established and its sole existence is to preserve and pass on traditional practical skills with its related professional technical knowledge not currently being taught in fashion or design institutions. As we’ve ventured to more modern approaches, focusing on off-shore manufacturing and marketing, the nature of educational programs have evolved to meet the demands of the fashion industry.

What is being left out is formalized training in couture and tailoring. Expert mentoring, the transference of knowledge and sharing of experience, not least of which is teaching the fundamental skills for a couture and tailoring career alternative – not typically included in the ‘industry’ statistics today.

So where are the statistics for couturiers and tailors to be found then, if not in the fashion industry? In our research, we have found them to be placed squarely in the arts and culture sector as craftsmen and artisans. see Cultural Human Resources Council

At EHC we do not teach quick and easy step by step do-at-home projects, that follow trendy designs adapting ready made patterns for sewing enthusiasts nor do we teach how to manipulate CAD programs. This training is meant for the serious career-minded individual to gain the expertise to take an original design idea and craft it into a fully formed product, by your own hands. What then is the exact degree equivalent, remains a good question. Cheers! J